1. Prelude
2. Neon Warriors
3. Sector 387
4. Maybe I’m A Fool
5. The Prophet Song
6. Leaving Tonight On Vacation
7. Blue Moon
8. Oriental Doctors

White Boy and the Average Rat Band was formed in the unlikely small mountain town of Richlands, Virginia in late 1979 by guitarist and songwriter Michael Matney. Fresh out of high school in 1979, Matney would venture over the mountain to neighboring Tennessee to try his luck in the music Mecca of Nashville. There Matney would join Kriss Famous’ longtime established local act “Tabu”, replacing Ron Keel as lead guitarist. It was in this arrangement that Matney would be christened with the name “White Boy”.
His time with “Tabu” and in Nashville would be brief before returning back to Virginia. Once back home, Matney would take a job with a local record store and recording studio owner who would grant him recording time in exchange for employment. There Matney would helm his own project deemed White Boy and the Average Rat Band; writing, composing and producing the self-titled debut. On the project, Matney played all the instruments, in exception to the two separate drummers used to complete the album. Musicians were then assembled in order to represent a band on the album and in live performances.

The Album & Its Reputation
In 1980 the White Boy and the Average Rat Band self-titled debut album would be released in a limited number of 300 copies, of which 50 would be lost. They would see very limited distribution, which only added to the curiosity the album would become. The band in the early 1980’s would have a short lifespan that would well be surpassed by their reputation on into the next couple of decades.
Matney would then go on to other projects, such as a live guitarist sitting in with Dr. Hook and as a touring guitarist with David Allen Coe. During which time, unannounced to Matney, White Boy and the Average Rat Band’s name was gaining somewhat of a cult status amongst record collectors around the globe seeking private press releases and on-the-fringes type rock bands. As the records continued to circulate through the hands of these collectors, the album began to become more and more difficult to find, as well as fetching prices in the high hundreds of dollars.
In 2010 a bootleg pressing of the band’s album would begin to circulate. This unofficial release would be a response to the high demand of people seeking the record. Although it was unknown to the band at the time and obviously done without permission, the bootleg only helped to grow the band’s cult status even greater.

Subscribe for more music: http://www.youtube.com/subscription_center?add_user=EasyRiderRecords

This is the official YouTube channel of independent label, RidingEasy Records, bringing you the best rock ‘n’ roll, psych, doom and heavy music on the planet.

RidingEasy Records, bringing you the best rocknroll, psych, doom and heavy music on the planet.

The post White Boy and The Average Rat Band (FULL LP) appeared first on MyRockNews.

“Circus Black” is a nine-track anniversary record to celebrate the trio consisting of brothers Elias and Nick Tzintzilonis and Stelios Papakostas thirty years in heavy metal as friends and bandmates.

The full length of classic melodic heavy metal is four tracks (Indifferent People, The Edge of Destiny, Be Free, The Pretender) from their 1991 demo, two unreleased tracks from the ’80s, and three tracks from Black Fate’s 2001’s rare EP along with a brand-new song. The album is for those who truly enjoy 80’s classic heavy metal in the vein of Iron Maiden, Judas Priest, Queensryche, Dio, and Ozzy Osbourne. There are also guest vocals Tim ‘Ripper’ Owens and Angel Wolf Black.

The history of Thirty Fates begins in 1988 when they introduced themselves to the world in a band named Metal Invaders, which was soon changed to Black Fate. Under that moniker, they released a 4-track demo (1991), but soon after Elias (guitars) continued on to other various bands. Stelios (vocals) went on to a solo pop career releasing singles and touring all around Greece, along with forming the band Blow. Nick (drums) went on to other rock-heavy-pop bands, touring also as a freelancer and continuing on with Black Fate with four amazing musicians, where they released a self-titled EP (2001) and four full-lengths “Uncover” (2002) (Secret Port Records), “Deliverance of Soul” (2009) (Asiral), Between Visions & Lies (2014) (Ulterium Records) and “Ithaca” (2020) (Rockshots Records).

The trio of Thirty Fates explain how their reunion came to be:
“We felt the need to reform the band after so long time for our thirst of playing music together again. It came out spontaneously when we met each other five years ago, rehearsing the old staff reminiscing the good old times. Then we decided to re-record our first demo and some spare old songs, as we had all the efforts for making a record come to life. Seemed from the beginning we knew what exactly we wanted to do. Making music after so long, was a joyful ride from the past to the present & we really enjoyed it. For all our friends & loyal fans, who have followed for thirty years & also for our new friends. We hope you enjoy our music. It’s worth a listen.”

Thirty Fates are:
Stelios Papakostas – Vocals
Elias Tsintzilonis – Guitars
Nicjk Tsintzilonis – Drums

Additional Musicians:
Kostas Junis – Bass
Andreas Ziakas – Acoustic Guitars
Marinos Tokas – Keys
Nonika Malkoutzi – Backing Vocals
Areti Valavanopoulou – Backing Vocals

Recorded and mastered at: 33 Music Lab
Produced by: Christian Rahm & Stelios Papakostas
Die – Rected By: Stelios Papakostas

FOLLOW ROCKSHOTS RECORDS:
http://www.rockshots.eu
http://www.facebook.com/rockshotsrecords
https://www.instagram.com/rockshotsrecords/
https://www.twitter.com/rockshotsrec
https://shop.rockshots.eu/

The post THIRTY FATES – Because We Fly (OFFICIAL VISUALIZER) appeared first on MyRockNews.

Today, in preview to the album’s release, Crusade of Bards is sharing their first single “The Red Charade”, an allegoric critique of the imperialism and colonialism that began in the XVII century and slowly evolved in the superiority complex of the Western world towards all other people. The lyrics draw clear parallelism between the modern capitalist corruption and the old aristocratic addiction to privilege at all costs.

The band adds:
“This song was one of the last ones to come up in the pre-production of the album but immediately stuck in our heads and we knew it would become a single. Its baroque-like riff, upbeat tempo, and the pauses almost gave the song a heartbeat of its own. Keyboardist Paolo Andreotti states: “The lyrics were also the more genuine to come up, without much preparation, without the historical research of the others. It felt almost like they were already buried in the song and I was just digging them up”. We all love different cultures and folklore and we think that the globalization that started with colonialism and imperialism has made it harder to appreciate all the different aspects of them. The Red Charade is this travesty that oligarchs disguise as a victory while their hands are full of the blood of innocent people.”

Listen to “The Red Charade” at the following links:
Spotify – https://spoti.fi/3rssXsM

Digital streaming platforms – https://bfan.link/the-red-charade
Album pre-order – https://bit.ly/tales7seasCD

On this second album, Crusade of Bards has a mix of history-inspired songs and social themes. Paolo Andreotti (keyboards & vocals) is the lyricist and he loves history and geography so the whole concept of the record revolves around the 7 seas, 2 songs for every sea, and each of them about stories that took place or refer to the area washed by them. As you dig deeper into the lyrics, the structure chosen tends to use the same rhetorical figures of romanticism and neo-realism with a strong connection between the sound of a certain word and its meaning. This leads to inner references that may be appreciated by just reading the lyrics, even without the music.

“Tales of the Seven Seas” is the band’s second album inside the “Tales” saga, a broader concept that started with their first album “Tales of Bards & Beasts”. It revolves around the figure of the “Bard” and the different tales, songs, and myths that the storyteller would present to the public of the different towns and villages visited. While the first album “Tales of Bards & Beasts” was more about myths and legends, “Tales of the Seven Seas” is mainly based on true historical events that have happened in each of them. The concept can be also found in the musical aspects where traditional instruments, scales, or sounds coming from the cultures that live or lived on the shores of the seven mentioned seas are blended into the songs to create the perfect environment for the listener.

The band explains further:
“With this album, we want to make a statement, we want the fans to really understand who Crusade of Bards is both musically and visually. We want them to open their minds, join us on our journeys through space and time, discover new stories and understand that we, as human beings, have changed very little. Our sins, our mistakes, our victories, and our feelings are not new or undiscovered. They are just there, floating on the ocean, waiting for us to collect them”.

Crusade of Bards “Tales of The Seven Seas” is due out on February 18, 2022 and is recommended for fans of Epica, Eluveitie, Alestorm.

#crusadeofbards #piratemetal

FOLLOW ROCKSHOTS RECORDS:

http://www.rockshots.eu
http://www.facebook.com/rockshotsrecords
https://www.instagram.com/rockshotsrecords/
https://www.twitter.com/rockshotsrec
https://shop.rockshots.eu/

The post CRUSADE OF BARDS – The Red Charade (OFFICIAL LYRIC VIDEO) appeared first on MyRockNews.

Formed to cause confusion and fear in people who don’t understand what heavy metal is about, Helsinki, Finland’s BLOODY HELL (ft. members of Moottörin Jyrinä, Metal De Facto) have been wowing fans around the globe with their loud, unapologetic, speed demon tyranny for two decades. Known for their drunken wild shows, the band has always presented good times in the circle pit with anthems about drinking, hangovers, devil-worshipping among other important matters.

Taking a hiatus after releasing two EPs, Hangover Riders (2010), What The Hell (2003) and a self-titled album (2015), along with all members focusing to perform with their other project Moottörin Jyrinä (a children’s heavy metal band that plays cover songs from classic 1980s heavy metal songs with child-friendly Finnish language lyrics with an educational tone), the quartet returns in 2021 to continue the party as grumpy old men with strong 18-year-old angst. Their new record “The Bloodening” due out via Rockshots Records on April 30th, 2021 features 12 fist-pumping songs to kick the band’s new found momentum into overdrive.

To get the headbanging party started, the band is sharing their first single off “Burn Witch Burn” from the full length. The track is good old-school 80’s metal in the vein of Iron Maiden, Judas Priest, Accept, and Helloween.

Band co-founder and guitarist Jaakko Halttunen comments on the single:
“What do you do when someone does something wrong or somebody suspects that someone has done something wrong? Even without evidence? You’ll of course shout: BURN THE WITCH, BURN THE WITCH!!!! This Song is about the darker side of social media and the yellow press. It’s a killer song indeed!”

Bloody Hell was formed in the year 2000. Jaakko Halttunen and Marko Skou formed the band to cause confusion and fear in people who don’t understand what heavy metal is about. The band is all about playing heavy metal the way it was meant to be, which is loud, unapologetic, and obnoxious. Lyrical themes revolve around drinking, hangover, the devil, and other important matters.
Bloody Hell has released one full-length album before and toured around Finland and Russia. The band is known for their drunken wild shows where you can expect loud heavy metal music and a pretty decent show also.
Even though the band has been on hiatus sometimes it has always returned. In the past times, it was because angry young men wanted to play angry music. Now it’s grumpy old men wanting to play grumpy music. Now with the new release, the band is again delivering its trademark fashion-free, bullshit-free Heavy Metal music for the fans who enjoy Heavy Metal.

The members of Bloody Hell also all perform in Moottörin Jyrinä (a children’s heavy metal band that plays cover songs from classic 1980s heavy metal songs with child-friendly Finnish language lyrics with an educational tone). Guitarist Esa Orjatsalo and drummer Atte Marttinen play in the mighty Metal De Facto.

http://Facebook.com/bloodyhellfinland

FOLLOW ROCKSHOTS RECORDS:

http://www.rockshots.eu
http://www.facebook.com/rockshotsrecords
https://www.instagram.com/rockshotsrecords/
https://www.twitter.com/rockshotsrec
https://shop.rockshots.eu/

The post BLOODY HELL – Burn Witch Burn (VISUALIZER) appeared first on MyRockNews.

LISTEN: https://spoti.fi/3mKDgDO
ALBUM PRE SAVE: https://backl.ink/142778537
ALBUM PRE ORDER: http://bit.ly/Anthea_CD

the band comment “The title song of the album, Illusion, is one of our faster tracks featuring some epic dueling guitar and keyboard action. This song really gives the musicianship skills of every individual member in Anthea a chance to shine. We have also noticed that, when played live, Illusion always receives a phenomenal response from the crowd!”

Creating coherent yet diverse cinematic, theatrical metal music with many influences from film scores and established metal acts such as Kamelot, Nightwish, and Wintersun, Anthea offers up a gothic symphonic progressive sound that can appeal to a wide variety of fans with their range from clean operatic vocals to black metal like screams.

https://Antheametal.com
https://Facebook.com/antheametal
https://Instagram.com/antheametal

FOLLOW ROCKSHOTS RECORDS:

http://www.rockshots.eu
http://www.facebook.com/rockshotsrecords
https://www.instagram.com/rockshotsrecords/
https://www.twitter.com/rockshotsrec
https://shop.rockshots.eu/

The post ANTHEA – Illusion (OFFICIAL MUSIC VIDEO) appeared first on MyRockNews.