Based in Milan, Vikowski craft a minimal sound wrapped in a gloomy, nostalgic aura, blending new wave and post-punk with clear references to Joy Division and The Cure.

‘Transparency’ is a track from their album ‘Consistency’, released on January 30, 2026 via Icy Cold Records.

Listen to Vikowski: https://linktr.ee/vikowski



(could be translated from French)

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Connect:
https://www.facebook.com/pinkmilkmusic
http://instagram.com/pinkmilkmusic/

Merch:
https://pinkmilkmusic.bandcamp.com/

Pink Milk is a dark wave/post punk band drenched in tons of reverb, making occult cinematic music inspired by the 80s..

The post Pink Milk – Detroit (live) appeared first on MyRockNews.

00:00 Vengeance
03:52 Confusion Club
06:42 Back To Hell
12:15 Burning Thirteen Holy Books
16:33 Code Of Forces
19:28 Aquarius
24:05 Under The Same Sun
27:56 Demolition
32:33 Don’t Fly So High
36:12 If There Is A Chance
40:42 Hello Minion (Kaleidoscope Version)
44:35 Violet Sex

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Cheon’s Tenderloin-based independent label Dark Entries Records has been instrumental in illuminating the richness and complexity of Cowley’s artistic legacy: over the past 15 years, the label has put out a series of reissue and archival Cowley releases replete with extensive liner notes and interviews. Join us for an evening celebrating this essential queer San Francisco artist on what would have been Cowley’s 73rd birthday.

The post Maurice Tani in conversation with Josh Cheon about Patrick Cowley appeared first on MyRockNews.

Q4U was born the winter of 1980-1981 in Reykjavík, inspired by the British punk movement. It’s original members were Elínborg Halldórsdóttir (Ellý) (vocals), Berglind Garðarsdóttir (Linda) (vocals), Steinþór Stefánsson (guitar), Gunnþór Sigurðsson (bass), Helgi (drums) and Már (synthesizer). Helgi and Már soon left the band and Helgi was replaced by Kormákur Geirharðsson (Kommi) on the drums. By early 1982 they self-released a full length cassette, “Skaf Í Dag” and appeared in the documentary “Rokk í Reykjavík,” which showcased the Icelandic punk scene. This version of the band ended and only two members continued on. In the summer of 1982 Ellý and Gunnþór recruited Óðinn Guðbrandsson (guitar) and Árni Daníel (synthesizer) from the band Taugadeildin. Their drummer was replaced by a Roland TR-808 drum machine they named “Elísabet II”. signaling a change in the group’s sound toward synthesizer-driven post punk. In August 1983 Q4U reinstated Kormákur to record a final set of demos and then called it quits.
This compilation collects 16 songs from 1980-1983. SIde A features the original six songs from the “Q1″ EP, plus 2 songs from the “Rokk í Reykjavík” soundtrack. Side B collects 4 demos from 1982 and 4 demos from 1983, all presented on vinyl for the first time ever. Q4U began with a stylish, aggressive punk image before experimenting with drum machines and synthesizers, which almost nobody did in Reykjavík at the time. The later sound had gothic leanings,often compared with Siouxsie and the Banshees and Xmal Deutschland. Their body of work is united by the powerful vocals of Ellý, who mostly sings in Icelandic about controversial, political experiences, much like Ari Up of The Slits.
All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a full color jacket using the original artwork from the “Q1″ EP. Each LP includes a double sized fold-out poster with lyrics, photos and drawings by the band plus a Q4U sticker! 30 years after their break-up Q4U are finally getting the vinyl reissue treatment they deserve, shedding a light on this pre-Riot grrrl act, more relevant today than ever.

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“Fun In The Sun” is a song from the album “xex:change” released by Dark Entries Records in June 2013.
xex were an all-synthesizer band from South River, New Jersey. They released their debut album “group: xex” in 1980 which Dark Entries reissued in 2010. “xex:change” takes a leap from where the band left off at the end of 1980. This track was originally recorded during the summer of 1981 and unreleased until now.
Vinyl EQ and lacquer cut by George Horn at Fantasy Studios in Berkeley, CA in March 2013.

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“Turn To SIlence” is a song from the second Eleven Pond album “Assemblage” released by Dark Entries Records in July 2013. The band formed during the mid-80s in Rochester, NY, while attending art school, and were brought together by their shared love of 4AD and Factory Records. They released their debut LP “Bas Relief” in 1986, which was our first re-issue in 2009. Before breaking up in October 1987, the band recorded eight songs that would sit in abandoned storage containers for over 25 years.
This track was originally recorded during the summer of 1986 and unreleased until now.
Vinyl EQ and lacquer cut by George Horn at Fantasy Studios in Berkeley, CA in May 2013.

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“Silhouette” is a song from the debut vinyl EP by Bézier released by Dark Entries Records in August 2013. Bézier is the moniker of all-live-analog electronic wizard Robert Yang from San Francisco. Enchanted by the Cybernetic Broadcasting System (CBS), Robert started DJing as Robot Hustle, joining the Honey Soundsystem collective in 2007. Robert writes hooks, patterns and melodies in an automatic, stream of consciousness fashion. Memory and nostalgia play a big part in constructing his music.
“Ensconced” is the follow up to Bezier’s debut cassette, released in 2012 on Break-Up records. The tile relates to themes of comfort and safety as well as complacency and entrapment. Influences range from the futuristic landscape of Syd Mead to the melodic energy of Patrick Cowley and the subdued, hidden motifs of My Bloody Valentine’s “Loveless.” Bézier blends elements of Hi-NRG and dark dance to drive the mysterious underwater instrumentals of “Ensconced.” Bezier’s studio set up includes a variety of vintage Roland and Korg synthesizers as well as the Italo Disco favorite LinnDrum.

Video by Caitlin Denny
http://www.caitlindenny.com

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