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    RED EYE – Tales from the Days of Yore (Full Album 2019)

    Tales from the Days of Yore (2019)
    http://redeyeofficial.bandcamp.com/
    https://www.facebook.com/RedEyeOfficial/
    Karstic doom from Southern Spain
    RED EYE
    Antequera, Spain
    ====
    1.
    Encounter 00:00
    2.
    BHC 09:13
    3.
    Azathoth 16:23
    4.
    Hall of the Slain 25:12
    5.
    Yagé 33:24
    6.
    Waves 41:44
    ====
    Surrounded by the glorious and eerie karst formations of El Torcal and hosting one of the oldest and largest megalithic dolmens in Europe (Menga), the Southern Spanish city of Antequera (Malaga) is a magical region where our ancestors built up the basis of next cultures to come. No doubt the four piece outfit Red Eye got inspired by this land’s mystique and the clear connection between man and Earth when starting their activities in 2016, reinterpreting the concept of proto and modern rock into something creative and genuine. Their megalithic and profound riffs combine traditional doom and psych heavy tunes with both melodic and harsh vocals, fast learners of Iommi and Pike to name their strongest references.

    The six track full length debut entitled ‘Tales from the Days of Yore’ was recorded at Green Cross Studio. Tracks develop as something you can actually feel and maybe touch. From the nine-minutes opening statement “Encounter”, the psych doom passages of “BHC” or “Yagé”, to the final closing act “Waves”, a collection of crushing riffs and memorable solos will prove a delight to any diehard fan.

    The band would say “There is definitely something magic and primitive in our natural environment that influences our daily lives and we turn into the music we play. It would be foolish to deny it!”. And you can depend on it.
    ====
    released February 22, 2019

    All tracks by RED EYE:
    Ángel Arcas – Drums
    Antonio Campos – Guitar / Vocals
    Juanan Román – Bass
    Pablo Terol – Guitar / Vocals

    CD hidden track “Halcyon Rhythms” featuring Jesús de la Torre from Plastic Woods (https://plasticwoods.bandcamp.com/) on the flute.
    The recited fragment at the end of “Azathoth” is an extract from H. P. Lovecraft’s ‘The Dream-Quest of Unknown Kadath’, published posthumously by Arkham House in 1943.

    Recorded, mixed and mastered at Green Cross Studio, Malaga (Spain) in January 2018.

    Produced by RED EYE.

    Artwork by Procesonegro.
    2019 Alone Records.
    https://www.alone-records.com
    https://www.thestonecirclestore.com
    https://alone-records.bandcamp.com

    source 666MrDoom

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