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    Terras Paralelas – Entre dois Mundos (Full Album 2018)

    Entre dois Mundos (2018)
    http://terrasparalelas.bandcamp.com/
    https://www.facebook.com/TerrasParalelas/
    https://www.instagram.com/terrasparalelas/
    The band Terras Paralelas brings instrumental rock mixing melodic, psychedelic songs, creating an intense sound experience that goes from calmer sound to heavier sound, being a clear example of contemporary music. The idea is to get the listener to be taken to their intellect, exploring their feelings, their limits, their ups and downs and in the general context, their human evolution.
    Terras Paralelas
    MT, Brazil
    ==============
    1.
    Infinito Cósmico 00:00
    2.
    Do Abismo ao Triunfo 06:55
    3.
    Bom Presságio 13:36
    4.
    Espirais e Labirintos 21:42
    5.
    Nossa Jornada Interior 29:50
    6.
    Entre dois Mundos 38:24
    ***
    Album Entre Dois Mundos, recorded in Cuiabá/MT at the Inca Studio.

    Powered by the Circula/MT, edict of the Secretary of Culture of the State of Mato Grosso – Brazil.
    ***
    released October 29, 2018

    Members:
    Ricardo Palombo – Guitar
    Rafael Ghisleni – Drums
    Leonardo Mello Viana- Bass

    Cover art:
    Giovani Gabriel
    ====
    ” It’s a fluid balance between heavy rock and progressive metal Terras
    Paralelas make in the six inclusions on their debut full-length, Entre
    Dois Mundos. The Brazilian instrumentalist trio keep a foundation of
    metallic kickdrumming beneath “Do Abismo ao Triunfo,” and even the
    chugging in “Espirais e Labirintos” calls to mind some background in
    harder-hitting fare, but it’s set against a will toward
    semi-psychedelic exploration, making the giving the album a sense of
    refusing to play exclusively to one impulse. This proves a strength in
    the lengthier pieces that follow “Infinito Cósmico” and “Do Abismo ao
    Triunfo” at the outset, and as Terras Paralelas move from the mellower
    “Bom Presságio” and “Espirais e Labirintos” into the more spaciously
    post-rocking “Nossa Jornada Interior” and the nine-minute-plus
    prog-out title-track that closes by summarizing as much as pushing
    further outward, one is left wondering why such distinctions might
    matter in the first place. Kudos to the band for making them not. ”

    The Obelisk


    Source 666MrDoom

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