Tona (2022)
https://tonaband.bandcamp.com/
https://www.facebook.com/tonaband
https://www.instagram.com/tona_band_novisad/
Tona is a loud rock band from Novi Sad, Serbia. Their sound is described as great combination of best there is in rock, metal and punk. Original and super charged music!
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1.
Skate Zen 00:00
2.
Atreid 04:17
3.
Riptown 08:36
4.
Sharks 11:56
5.
Hit And Run 15:43
6.
Dr Noche 19:59
7.
Napoleon Complex Dog 23:53
8.
Flashing Lights 27:05
9.
Shooter 34:10
10.
Just A Sip Of It 38:05
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“Rock n Roll swagger snarl that packs a punch to the teeth ala Amphetamine Reptile grit riding in a big ass monster truck with the Melvins riding in the backseat while the front seat is packed with acid tabs and dust from the desert. Plenty of melody, groove and a heavy kick of a Converse boot has loads of staying power through it’s 10 air-tight tracks. Works as the booming soundtrack to the Friday coke party – or the sobering hello on an apocalyptic Monday morning. 10/10”
Simon Richards, Culture Trip (New York)
“A great deal of care and consideration has clearly gone into this. The production is polished to the nth degree, mastered in the USA, no less. There are cerebral, almost philosophical sounding titles like “Skate Zen”, “Riptown” (an oblique reference to the inanity of social media contributions), “Dr. Noche” or “Napoleon Complex Dog”. But don’t be fooled, it’s not polished like a piece of the finest porcelain, it’s polished like a fucking juggernaut, fresh out of the works. They’ve got the brains, but they’ve got the brawn too, and they don’t let you forget it for a second. An iron fist in a velvet glove? Nah, an iron fist in a chrome glove. Brace yourselves”
Ashley Davies, Frothing Spleen (Czech Republic)
“The vocals bark, bite, soar and shout, all with a desperate energy, like a real experience gives a person. The drums swing and stomp, The bass sounds like an axe hitting old growth forest, starting sharp and biting, but reverberating under your feet like a self contained earthquake. What I’m saying is that the songs are packed full of hyperaggresive sounds, all harnessed tightly, keeping it grounded- this isn’t “experimental”, it’s alternative, it’s not an “exploration”, it’s encompassing.”
Matt Van, How Much Longer Must we Tolerate Mass Culture (Phoenix)
credits
released November 26, 2022
Đorđe Skorupan – vocal
Boris Radin – guitar/vocal
Filip Radovanov – guitar
Dragan Diklić – bass
Predrag Janičić – drums
Srđan Vukasović – additional guitar on 5 and 10
Dragan Stoiljković – drums on 10
Mixing: Tona and Jared See
Mastering: Jared See
Cover art: Srđan Radin
Label: Idiotski Internat
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